Thursday, January 23, 2020
Overview over Religion :: essays research papers
Overview of Religion In this tutorial, you will learn about the religious experience in general and some of its variations around the world. The focus will be on the types of religious beliefs and religious leaders, especially in small-scale societies. An exploration of Christianity, Judaism, Islam, or any other major religion is beyond the scope of this tutorial. The approach taken is that of cultural relativity--religious practices or beliefs are not evaluated in terms of their "correctness" or "sophistication" but, rather, in terms of their function within the societies that maintain them. What is Religion? A religion is a system of beliefs usually involving the worship of supernatural forces or beings. Religious beliefs provide shape and meaning to one's perception of the universe. In other words, they provide a sense of order in what might otherwise be seen as a chaotic existence. Religions also provide understanding and meaning for inexplicable events such as a loved one being killed in an earthquake or some other unpredictable force of nature. For most religious people, their beliefs about the supernatural are at the very core of their world views. Importance of Rituals Symbolic objects used in Christian rituals The performance of rituals is an integral part of all religions. Rituals are stylized and usually repetitive acts that take place at a set time and location. They almost always involve the use of symbolic objects, words, and actions. For example, going to church on Sunday is a common religious ritual for Christians around the world. It usually requires the wearing of somewhat different clothing and interacting with others in a particular manner in a sacred location. At the heart of this experience is a sequence of traditional ritual acts that symbolically represent aspects of the life, teachings, and death of Jesus. Maya Temple in Guatemala built on a high pyramid base to make it a sacred location Most religious rituals are performed in special places and under special conditions, such as in a dedicated temple or at a sacred spot. This is an intentional separation between the secular and the sacred. By being removed from the ordinary world, the sacred acts are enhanced for the believers--the separation makes the rituals more effective. Only allowing initiated people to participate in religious rituals also can have the same effect. Religious ritual reinforces the basic tenets of religion. For instance, the "partaking of the host" in the Catholic mass is a symbolic participation in the "last supper" of Jesus and, by extension, an affirmation of the acceptance of his teachings.
Wednesday, January 15, 2020
Critical Appriciation of the Two Minuets Hate in 1984
Write a critical appreciation of pages 16-18 ââ¬Å"in its secondâ⬠¦ uttering a prayerâ⬠. How does the two minutes hate contribute to your understanding of the nightmare world in which Winston lives? The two minutes hate is almost a celebration of a cult, a sort of gathering of religious fanatics to honour their ruler, Big Brother. Orwell uses it to show the expressions of anarchy amongst the ââ¬Ëleaping and shouting' people and how this would be their only chance to express their human feelings in the nightmare society in which they are forced to live. Winston's dystopian world is displayed in Orwell's unsympathetic parody of the two minutes silence in commemoration of WWII and epitomises the ââ¬Ëfrenzy' of emotions, the terror and violent culture that Winston has to tolerate. His elaborate view of religious or political fanatics scrutinises these kinds of obsessions and demonstrates how it can over-power a person's life. Control is one of the main components of the two minutes hate. The people are helpless, they are ââ¬Ëlike that of a landed fish' in the robotic machine that is Big Brother. They cannot escape from ââ¬Ëthe voice' that ââ¬Ëcontinued inexorably' and there is no escapism to be had in the ââ¬Ëfrenzy' of voices yelling at the screen. This reflects a nightmare that is inescapable until we awake. Winston longs to awaken in a society capable of love, without suffering, but it seems he knows that can never arise. The world for Winston is a steady destruction of all good virtues and basic human rights that they are so cruelly being denied, which is shown so clearly through this extract. Winston finds it ââ¬Ëimpossible to avoid joining in'. This reflects the lack of control he has in all elements of his nightmarish life. The sheer violence of the episode overwhelms Winston's mentality and creates an isolation of his mind to the rest of the ââ¬Ësheep' and is inescapable. He has the power to rebel, although he submits to a ââ¬Ëhideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer'. This juxtaposition of hideousness and ecstasy shows Winston's abhorrence is all towards the party and Big Brother instead of the loathed Goldstein. In Winston's conscious mind he changes into a ââ¬Ëgrimacing, screaming lunatic' and is capable of switching his hate ââ¬Ëfrom one object to another'. These images are distinctive of a dystopian novel and relates to the time of obsession and paranoia that was experienced during World War II, when the novel was written. Winston's hate develops into an ââ¬Ëinescapable' sexual lust for ââ¬Ëthe black haired girl'. He describes his desire to ââ¬Ëflog her to death' and how it would be a ââ¬Ëbeautiful' sight. This contradiction is Winston's flicker of rebellion against the ââ¬Ësinister enchanter' that is Big Brother. This introduces the theme of love versus hate, which is explored throughout the rest of the novel. The pointlessness of the hate strikes Winston as we see Winston's weakness; he has a perplexed mind that cannot comprehend the point to the rage inflicted upon Goldstein. The fickleness of the Party members distresses Winston ââ¬Ëthe sandy haired woman shouting what sounded like ââ¬Å"my Saviourâ⬠ââ¬Ë as he seems to realise the stupidity of the ââ¬Ëfrenzy'. Orwell contradicts the whole of the Party's endeavour to create a ââ¬Ëperfect' world and stamp out all feelings, as ââ¬Ëhis heart went out to the lonely, derided, heretic on the screen'. Winston is conveying how he is himself a ââ¬Ëheretic' and rebelling against the beloved Big Brother which we see later in the novel also as Winston recognizes his rebellious potential. This shows his refusal of living ââ¬Ëin a world of lies'. This ââ¬Ëworld' epitomises the depression of Winston's nightmare and the society he exists in and at this point, Winston becomes ââ¬Ëat one with the people about him', his mind is distorted ââ¬Ëand all that was said of Goldstein seemed to him to be true'. Winston's seemingly only flaw it that subconsciously he switches his thoughts from one side to another and it is only ââ¬Ëthe black haired girl' who lays bare his real personality and sets him straight. The two minutes hate represents Orwell's character and his novel as a whole as we see his hate for the outward expression of human feelings and his ultimate desire for control. We find his detestation of religious extremists on course throughout the novel, which replicates its dark and dystopian themes. He has channelled his hate in to his work and through what may indeed be a representation of the author himself, Winston's Character. Every element of hope is lost for Winston during the two minutes hate. This raises our understanding of an embodiment of a nightmare world that hopelessly celebrates a religious cult and its inescapable anarchy, which will ultimately have its revenge on Winston's mutinous mind.
Tuesday, January 7, 2020
The City Of The Ancient City - 849 Words
As I walk the grounds of the ancient city to the beautiful sounds of birds chirping and the sun shimmering, I observe the ruins that were left behind from the inevitably of decay as hundreds of years passed and am immediately filled with astonishment by the aspects of the ancient city, allowing for my imagination to visualize the past: the gigantic Theater and Stadium with a roaring audience, the all-mighty Acropolis standing strong, the north and south agora consisting of merchants meanwhile business deals arise in the Civil Basilica, the spacious baths full of chitchat and laughter, the conflicted Bouleuterion (council house), the gracious temple of Aphrodite and Basilica church, the holy Bishopââ¬â¢s palace, the studious Sculptorââ¬â¢s academy, the aesthetically pleasing monumental gate (Tetraplyon), and keenly sculpted statues of Aeneasââ¬â¢ flight from Troy and emperor Claudius. By examining the social, cultural, political, economic, artistic, and religious aspects of t he ancient city, the ancient city will unravel the values of the inhabitant and the influences from complex societies and arraying the role it plays in significant historical events during the 5th century B.C.E. to 5th century C.E of Ancient Rome. The foundation of Ancient Rome is marked by the statue of Aeneasââ¬â¢ flight from Troy and the statue of the emperor Claudius. The statues unravel that the inhabitants valued strong leaders such as Aeneas and Claudius. The statue of Aeneasââ¬â¢s flight from Troy is an illustrationShow MoreRelatedModern City And City Of Ancient China801 Words à |à 4 PagesIn 2008, my whole family has moved to Hangzhou, the capital and largest city of Zhejiang Province, in Eastern China. Hangzhou is a mix of Garden City and Modern City. In the Southern Song Dynasty, Hangzhou was the capital city of Ancient China. 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